We have posted before about Morning Star Lodge's attendance at Congress of The Humanities and Social Sciences 2018, but now have new information about Morning Star Lodge's participation at the Congress of 2018 held at the University of Regina on May 26 to June 1, 2018.
Congress 2018- May 27, 2018: As a founder of the Making Treaty Four Collective, Erin Goodpipe and other collective members had the opportunity to present in the Espikenew series, a keynote series dedicated to the late Jo-Ann Episkenew. This year’s topic was women and their role as water protectors. The panels spoke about how the performance, Making Treat Four, used conceptual art to evoke the cultural idea of woman as central to the Nation as voices for the people and the human metaphor for the life-giving qualities that Mother Earth possesses. During this panel presentation, we spoke about the Western counter-narrative which traditionally excluded Indigenous women from history and attempted to denounce the woman’s voice as valuable and integral to her nation and culture. Through our art we strived to revalue and reclaim this narrative by showcasing specific performance pieces which showed Indigenous women in leadership, as fundamental in the survival of tribal life and as representers and advocates for the land, sky, water and the life in between. This panel hoped to showcase that Indigenous woman must be affirmed and assert their role as protectors as Creator gave them the right to bear and nurture life. As they can only understand this right, only they can truly represent it.
The Canadian Association for Curriculum Studies (CACS) held a day long event titled, “Climate Change: Addressing Critical Issues In Today’s World.” For this event, Erin, and five arts educators created a performative piece called “Food For Thought” that engaged participants in the surroundings on Wascana lake. This was done in order to explore how ideas about “natural landscapes” and “connection to land” has been perverted by the colonial mission to consume and the impulse to justify and rationalize our engagement in destructive practices that engender unhealthy relationships across generations. During this performance, symbols of historical injustice to Indigenous people, land and climate were used to inspire dialogue amongst researchers, educators and the general public.